Vandana Khanna is the author of two full length collections, Train to Agra and Afternoon Masala. Her poems have won the Crab Orchard Review First Book Prize, The Miller Williams Poetry Prize, and the Diode Editions Chapbook Competition. Her work has appeared in publications such as the Academy of American Poets Poem-a-Day, New England Review, The New Republic, and Guernica. She is a poetry editor at the Los Angeles Review.

“To recast myth as expressive, modern, and feminist is so to speak to create a planet that burns or takes up its own space through narrative. From existing voices that can come to represent alternative characters generated by the narrator, a new narrative emerges, challenging the fixity of characters to clarify a oneness that allows pronouns like “we,” “you,” and “he” to represent the potentiality for connection and fluidity. This wholeness is like a planet or “sun” born out of a stifling force that hinges on the ironic and perhaps metaphorically sensual: “hold your hand tight / against her throat until it throbs” (“Dharma”).”
—Ian Koh, Tab Journal

“In her third collection, Khanna skillfully reimagines the lives of Hindu goddesses in a variety of contemporary contexts. Goddesses Sita and Parvati experience first kisses and heady crushes, heartbreak and betrayal, bodily violence, and sacred sisterhood. Full of wildness, transformation, and the hard work of reincarnation, these poems are about girls and women claiming their power despite living in a world trying to break them.”
—Laura Sackton, Buzzfeed

“Burning Like Her Own Planet is a poetic autobiography intertwined with contemporary re-imaginations of the Indian goddesses Parvati and Sita: a series of dramatic monologues that explore female devotion and desire, how a woman’s fidelity and creativity can become twisted into demands for her own self-sacrifice. Khanna’s sonnets—gorgeous, emotionally complex, always dazzling—seduce as much as they startle, speaking back to these ancient South Asian stories to critique and finally redefine what it means to be a girl and goddess.”
— Paisley Rekdal

“Vandana Khanna's gorgeously lush book, Burning Like Her Own Planet, captures all the senses—incense and sandalwood, tar of oily streets, shades of bleeding—and recasts South Asian myths, with their braids and cloaks and dramas, in new ways. The myths and their Gods and Goddesses are held in lyric containers, flitting and flying around in the contemporary world. Khanna is a palpably skilled poet at the line level and her poems sing.”
—Victoria Chang

"‘Tell me again/I am unforgettable,’ says the goddess-speaker in Vandana Khanna's newest collection. In carefully wrought and patiently lyric poems, Khanna invites us to reconsider the interior lives of some of the most recognizable goddesses in the Hindu pantheon, as well as the concept of a ‘goddess’ in and of itself. In doing so, we discover, ironically, that to be a goddess actually requires a hefty amount of humanity. ‘I can bribe the holy out of you,’ says the goddess-speaker. I find myself not just believing Her, but recovering a sense of my own holiness, too.”
—Tarfia Faizullah, author of Seam and Registers of Illuminated Villages